The Giller Gala is only one week away, so I should be posting a few reviews this week. Here is the opening to Kimbofo’s review of Frances Itani’s Tell — you can find her full review here. (She also makes reference to my review of Tell — you can find it here).
The aftermath of the Great War on the residents of a small village in Canada is the subject of France’s Itani’s latest novel, Tell, which has been shortlisted for this year’s Giller Prize.
I read it back-to-back with William Trevor’s Love and Summer [KfC’s review of that one is here] and couldn’t help but see the similarities between them. Both are gentle, comforting, slow-paced reads, about people quietly getting on with their lives in a small, close-knit community. Indeed, in KevinfromCanada’s review of Tell, he suggests the book is a Canadian version of the Irish village novel in which “a collection of ordinary people try to deal with life, even if they have been touched by extraordinary events like war”.
Perhaps the only major difference — aside from setting and era — is that Itani’s book has a slightly more complicated structure, because it interleaves two main narrative threads instead of focusing on just a single story.
Tell spans just a couple of months — November 1919 to January 1920 — and is set in Deseronto, a small town in Ontario on the edge of a bay.
Here, we meet Kenan, a young shell-shocked soldier, who has returned from the war badly injured. He has a dead arm, has lost the sight in one eye and his face is terribly disfigured. He is too traumatised to leave the house, despite this wife, Tress, offering as much support and comfort as she can muster. The book follows their individual struggles to keep their marriage alive despite the fact that the war has changed both of them — physically and psychologically — forever.
The second storyline focuses on Kenan’s aunt and uncle, who also live in the village. Am and Maggie have been married for a long time, but their relationship has “stalled” in the sense that they barely have a thing to say to one another. Am seeks solace in his work maintaining the village clock tower and keeping his nephew company, while Maggie spends time with her new friends — an outgoing woman called Zel, and an Eastern European refugee called Luc — both of whom she met through the village choir. It is her relationship with choir master Luc, in particular, which threatens to destroy the fragile state of her marriage.